Top advices for agents right now by GlobalTalentNetwork: Interested in TalentNest applicant tracking software? Just fill out this form to set up a demo with a member of our team! We’ll walk you through the system and show you how it can work for your company. You’ll have the choice of booking a 15 minute demo or a longer webinar. View the demo remotely and at a time that suits you. Get pricing information based on your company’s size and number of recruits per year. TalentNest is a talent management software created by SMG, a company with over 35 years of research and experience in recruiting, hiring, and training. This software offers integrated diagnostics and assessments to help you attract, manage, and rate candidates throughout the recruitment process. Discover more details production companies platform.
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Make sure you have a great headshot, which looks like you and tells a story. The very best headshots reveal something specific about YOUR personality. Make your cover letter, short, specific and upbeat. Talk about the work you’ve already done, any referrals you may have, where you train and specific goals. Marisa Paonessa of Paonessa Talent suggests “Show ambition in your cover letter. Ambition in the industry to an agent is sexy! And remember….it’s a process…a journey, one that is different for every actor. Breathe, relax and enjoy your own path! Discover more details https://globaltalentnetwork.com/.
Revamp your materials, and resubmit. If you get minimal or no response after the second round of submissions, shoot new photos, redo your résumé and cover letter, and submit again to your first, then second choices. Client rosters often change, making room for an actor who was of no interest just a few weeks earlier. Looking to get cast? Apply to casting calls on GlobalTalentNetwork. The views expressed in this article are solely that of the individual(s) providing them, and do not necessarily reflect the opinions of GlobalTalentNetwork or its staff.
One key to getting auditions is to remember that actors should see themselves as a small business, so “think about what look you are selling,” advises acting coach and Backstage Expert Matt Newton. One of his tips for figuring this out? “Write down three shows you could see yourself on. Series regular, guest star, co-star, whatever…. Watch [these shows], learn from them, observe what kind of actors they are casting. Take notes. Look up the casting director and the actors. If you are right for that show, and are trained, and they cast your type over and over, then by all means sign up for a casting director workshop to meet them in person. If you are over 50 and play ‘extraterrestrial’ roles all the time, probably don’t sign up for a soap opera casting workshop. Again, it’s all about being smart and knowing yourself.”
Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”
It sounds simple, but it takes practice. Walk in the door with your head held high. Be wary of shuffling feet. You don’t get sympathy points if you’re nervous, not feeling well, or having a bad day. Leave it outside the door. You are being sized up the minute you walk in so practice good posture and body language before you arrive. And don’t forget to smile—that’s the lasting impression you want to leave. Find the love in the scene; even nasty characters should be likable on some level. Find a moment in the scene where the love can show through. Embrace action: Acting means do, not talk. Find your actions and play them! (A wonderful resource is the book “Actions: The Actor’s Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams.)
Visualizing your audition from start to finish, as well as creating an audition playlist, are also great ways to ease tensions and get your head in the game. But ultimately, remember: what’s the worst that could happen? You don’t get cast? So what? There’s no use trying to fit into a box you don’t belong in—so on to the next! For self-tape auditions, you must have good lighting, a neutral background, the proper framing (not too wide, not too close), no distracting objects in the room (i.e. plants, pets, posters), and most importantly, good sound. You likely won’t get hired if they can’t hear you. Oftentimes, creatives are unavailable to attend every audition. Or auditions are being held nationwide and you’re submitting from Missouri to a casting director in L.A. Or the CD wants to get a feel for the network response before bringing you for an in-person. Sending a self-tape is one way to ensure you are in the running to get seen for the role—despite your lack of physical presence.
So you want to become an actor? Well as we pointed out in our guide to how to become an actor, you must find yourself a talent agent. Here is our guide to finding a talent agency. The best way to find an agent is to contact the Actor’s Union such as SAG-AFTRA and ask for their list of franchised agents. It is in your best interest to work with a franchised talent agency because non-franchised agents are more likely to be a con artist than a legitimate agent. That said, we have a list of talent agencies across major cities that you should know. Check out the list of agencies below.